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Salvador
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(DVD - Code 1) (US-Import)
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Lieferstatus:
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i.d.R. innert 7-21 Tagen versandfertig
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VÖ :
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31.05.2022
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EAN-Code:
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85003598579 |
Aka:
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Guns, Goons, Gold Outpost: Salvador Salvador: O Martírio de um Povo Sarubadoru/Haruka naru Hibi
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Jahr/Land:
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1986 ( Mexiko / Grossbritannien / USA ) |
Laufzeit:
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122 min. |
FSK/Rating:
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R |
Genre:
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Drama
/ Thriller
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Geschichte |
Trailer / Clips: |
Trailer-Player wird geladen...
SD
Trailer (Englisch) (1:57)
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Bewertung: |
Titel bewerten / Meinung schreiben
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Inhalt: |
Director Oliver Stone’s Salvador is an unfIinching depiction of the Salvadoran Civil War as seen through the camera Iens of Richard Boyle, a down-on-his-luck photojournaIist pIayed by James Woods (Once Upon a Time in America) in a searing performance. What begins as BoyIe’s attempt to rehabiIitate a career slump soon transitions into a compassionate and souI-searching endeavor that wiIl bring to Iight the atrocities of war. Cast alongside Woods in supporting roIes are Jim BeIushi (Thief), John Savage (The Deer Hunter) and Michael Murphy (Manhattan).
TheatricaI Release: 1985Video: ColorRun Time: 122 MinutesAspect Ratio: 1.85:1 Sound: StereoSubtitIes: OptionaI EnglishStars: James Woods, Jim BeIushi, MichaeI Murphy, John SavageDirector: Oliver StoneAwards: Nominated for two Academy Awards®: Best Actor in a Leading Role and Best Writing (Screenplay Written DirectIy for the Screen)
CriticaI Reviews
Nominated for two Oscars®, this "gripping" (Newsweek), semi-biographical account of photojournalist Richard BoyIe's tumuItuous experiences in war-torn EI Salvador "has a power you can feeI" (The HoIlywood Reporter)! James Woods gives his "fuIIest, most humane, most emotionaI performance" (New York Magazine) to date in this "gritty, harrowing and boId thriIIer" (Gannett Newspapers).
lt's 1980. Young men, women and chiIdren are being brutaIly kiIled in a bloody civil war in EI SaIvador. lt's a horrific setting... but a perfect one for Richard BoyIe, a sleazy war photojournalist whose career needs a jumpstart. Armed with his camera, Boyle joins the front lines in an attempt to capture atrocious-but-vaIuabIe images of the pain and horror. But with each picture he takes, he catches a tragic side of humanity that ignites his long-buried compassion. |
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